Der Tiger von Eschnapur

#106

Germany | 101 min.

1.37:1 OAR

colour

monaural

Special Features


SPECIAL TWO-DISC DVD EDITION:

• Beautiful, newly restored transfers of the films in their original 1.37:1 aspect ratio

• Two soundtracks: the native German-language track, and the English-language dubtrack made for overseas distribution

• Newly translated optional English subtitles

• New and exclusive feature-length audio commentaries, for both Der Tiger von Eschnapur and Das indische Grabmal, by film scholar David Kalat

• 20-minute documentary on the making of the Indian epic

• Three minutes of vintage 8mm footage shot on location by actress Sabine Bethmann

• The original French trailers for both Der Tiger von Eschnapur and Das indische Grabmal

• A lengthy booklet containing an essay on the films by Lang scholar Tom Gunning (The Films of Fritz Lang: Allegories of Vision and Modernity); excerpts from interviews with Fritz Lang about the film; and more!

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Der Tiger von Eschnapur

Fritz Lang, 1959


Fritz Lang returned to Germany on the eve of the 1960s to direct this enchanted penultimate work, a redraft of the diptych form pioneered in such silent Lang classics as Die Spinnen; Dr. Mabuse, der Spieler.; and Die Nibelungen. Although no encapsulating title was lent at the time of release to what is, effectively, a single 3-hour-plus film split in two, the work that has come to be referred to in modern times as “the Indian epic” (consisting of Der Tiger von Eschnapur and Das indische Grabmal) proved to be one of the legendary director’s most adventurous achievements. It was also one of the most popular successes Lang was to experience in his native land.

A German architect (Paul Hubschmid) is commissioned by an Indian maharaja (Walter Reyer) to construct a temple on his palatial grounds. After saving the life of a bewitching dancer (Debra Paget) on whom the maharaja has spousal designs, the hero is pulled ever deeper into a hazardous maze of traps, perhaps the purest realisation of Lang’s obsession with a labyrinthine ‘house of death’ – that is, Man challenging Fate.

Like Lang’s following final work Die 1000 Augen des Dr. Mabuse, the Indian epic charts new territory for the director, as it strikes out into the über-melodramatic tenor of his early silents while inciting the colours of the emulsion into adopting a lurid, sometimes gaseous palette. Arriving in the wake of The River (Renoir), India matri bhumi (Rossellini), and Black Narcissus (Powell & Pressburger), Lang’s Indian epic stands among the remarkable mid-century contributions of Western filmmakers who have contemplated India. The Masters of Cinema Series is proud to present Lang’s films on DVD in the UK for the first time.